Thirty; Sense of Urgency
Hello, I’m back. In practically three months fit. Hah. It’s been quite a while since my last post about the ongoing drama, Totsuzen Desu Ga, and it’s suffice to say that I’m practically quitting that drama by the time I’m about to enter the fourth episode, and decided to skip far ahead to the final number nine, just because it had failed to move me kokoro in order to continue watching it. I mean, the third episode had lead us to the good conclusion of Asuka and Nanami becoming an item, but then, the next mumbo jumbo shittiness that’s waiting for us on the next episode is another rinse and repeat crap of the sympathy towards the ex thingy case, which has managed to make me ugh, and ah, and quit. And turns out I wasn’t regretting my decision cuz hella, by the time me watching the final episode out of curiosity, I feel like I’m not missing anything and the ending is so dull, and all the casts are basically there out of the love for their paychecks. So yeah. Disappointed, but not surprised.
Moving on. And so, as I stumble to this newer drama, Tokyo Tarareba Musume, I decided to give it a try cos it’s all about girls and their love stories, set in a romcom manner with a shiny line of casts. And though I found myself not quite warm up to the series as I want it to be, I still managed to finish it, cos this drama has quite a lot likeable factor, though it came up quite in balance with the dull one. Heh. I’m not gonna make this post long ass and boring just to talk about one farking drama, but Imma try my best to convey everything completely, despite being a rusty hiatus blog writer. Lulz.
(Spoilert: basically everything) click for morrreee!!!
Before I yap, allow me to fashionably say, happy super farking duper belated new year, everybody! Time does fly when you’re doing neigh. Haha. Anyhoo, back to this post’s original intention. As far as you guys know since my last update on December last year, I’ve been dwelling my ass out on Tohoshinki and old dramas slash crime-genre series watching, and I gotta say that I’m pretty much stay the same until by the time I’m typing this post. Lulz. Buuuutt, I finally come back to my senses of the modern era dorama a bit, with this new, currently airing, 突然ですが、明日結婚します (Totsuzen Desu ga, Ashita Kekkon Shimasu). Well, actually, I’m not really that eager to watch this, as it more due to the reason of my own realization of how I’ve been wayyy far outta touch from chick flick and romance genre dorama, and I’m just trying to revive those feels again after all this time, in order to you know, feel that doki doki again. Hah.And honest to the maxes, I’m not really fond at the line up casts in this drama either, since Nishiuchi Mariya is so damn tall compare to the main lead dude, Yamamura Ryuta, who is too skinny and emaciated; But heyyyy, beauty comes in all shapes and sizes, amen sisters? Lol. So if we can put that shallow factors aside and focus on what matters, I must say that I like Nishiuchi Mariya, cos she’s the familiar face that I’ve known way before, when I was a (quite) avid Seventeen magazine’s reader. And turns out, she and Yamamura make quite a cute couple which surprisingly don’t awkward with each other. So yeah, I’m willing to give this drama a try for the sake of that. And even though it took me one week to finish watching the pilot episode only, the second episode progressed quite fast in pace and nicely done, since turns out this drama is not as cheesy and cliche as I thought it would be with all the meandering ‘he loves me, he loves me not ‘ plot, cos the whole point about Ashita Kekkon is not about how they will ENDED UP together in the end, but it’s more on how they will work their ways in order to STAY together till the end, so this drama gives a lil fresh breeze of a story-line in a more mature way without being shittily predictable. Which is good.
click for moarrr!!!
Hello. I’m back.
I’m not dead yet. Still alive and kicking y’all.
One thing I clearly learned from these past three months, is that when you open your piehole and bluffing your plan to have a hiatus, it won’t work out. I repeat: it won’t work out. You’re gonna jinx the whole shit and end up suffering yourself in series of brain slavery of obligatory posting. So I took an impromptu act and going for the un-notified MIA from this blog, just because I couldn’t push myself to post any longer if I’m not really in the mood to do so. But now I’ve returned, only for a while, and Imma share to you what happened in my fangirl world for these past couple of months. It ain’t groundbreakingly revolutionary whatsoever, but still, it’s good from the entertaining angle. Hah.
click for more catch up!
Hey, I’m back for a quick post yo. I know, I’m a lil bit late in being an up to date; but then, this blog have never been up to date in terms of the contents from the very beginning anyway. Lol. Anyhoooo, days ago, on July 20th to be more exact, I Don’t Like Mondays. had released their newest single ⌈Tonight⌋ along with the full version PV on Youtube. I gotta say that I’m so glad that Yu is on good terms with his girlfriend this time (Haha) and da boyzzz are going back to their chic hipster element along with the party tune-esque track that surely will make you want to boogie your ass out all NIGHT long. Lulz. You see, this is why I always love IDLMs.’ release; cuz they always have this some sort of signature unique catchiness in every of their tune, in which the other bands don’t have in theirs. Different creativity for different individual, I guess. But still, I do wish that their songs can have a lil bit more of an electric touch. I don’t mean the electric, EDM kind of style; as it’s more to the electric guitar one, y’know; the basic classic rock band shitz. Strum~strum. Teehee.Oh, one more thing. For pete’s sake, Yu, just kiss the girl already, dammit! Cos smoking her right on the face is so damn un-polite and not very gentleman of… Yu. Hah.
So now, what are we waiting for?! Let’s jam, party people!!!
Geez, finally… after had marathoned for these past couple of days, I unscathed-ly manage to finish my first ever web-drama, I Order You, which also marks the first K-drama that I’d watched after a verrry looong break. And, whoa… I have no better words to describe this experience other than I’m impressed. Massively. IOU is so beautifully written, so sweetly produced, and so perfectly tailored… to be a very spot-on reminder on why I hate Korean drama in general. No, no, no, seriously; the shuddering cheesy dialogues, the repulsive zoomed shot on everyone’s lips at the early episodes (that strawberry eating scene though. Gag.) The overdone effort to bring out the charming sexy-kinda-appeal from the main characters; everything, everything is so damn “impressive.” But what makes me IMPRESSED to the max, is how this drama could take a whole 180 in turning itself from an easy breezy romcom, to a depressing cliche love story. Ugh. IOU is a freaking troll indeed, with every character in this drama trolling us viewers, and each other right on the face, as like the “proposal-dosirak” kind of troll. Hah. Can’t believe that this fruitcake was sold on the highest price ever recorded for a web drama, which was almost half a million USDollerrrz, in Japan. Guess it solely lays on the name of star power… you know~ Haharharrrr… blerg.(Spoilert: till the last crumb…) click for moarrr angst!
CCC for WWW ~ Drama Edition ~
One and a half monthzzzz later, I’m back on the loop for a lil update. Teehee. I don’t have much things to talk about, actually, since I’m in this some sort of a shitty mood to watch anyhoo and anything in between; but yet, lately I’ve read a lot of buzz about web dramas and stuffs on the blogosphere, and how good they were yadayadayada. Well, I guess it’s a solid proof of how in this kind of time, watching and churning your emotions away aren’t limited to the TV screen only, hence lots of them sprouting and spawning through various major internet host sites with a known actors and idols as the main casts. But that is not the main reason why I give a try for web drama, since I always watch my shits in computer screen anyway, so there is not much of a difference it makes lulz… but there’s a lil part of me that curious about whether or not it was as good in terms of quality and production, as the TV one. Also, since I got a plenty time in my hands this week, and I just need a little melancholy ‘wetness’ to my dry grubby thriller crime drama watcher’s kokoro, so… yeah. And out of my randomness and fangirlingness, I decided to give two dramas a simultaneous try, which are はぴまり (Happy Marriage) and 당신을 주문합니다 (I Order You). Since I already invested my soul and energy in watching these, I gotta say a lil thought about it. But Imma make this shorty and quickie not bcos I’m not in the mood to make a long post, but my era of lengthy writing has come to an end, I guess… harrrharrharrr…
click for moarrr!!!
Torrid Lust to Tragic Lost
Hola, all my peopppple! Happy Labour Day! Mama is back in bringing you couple of (meaningless) accomplishments that I wanna share right here right now. One → as you can see on your left, Messy Random Whatever had finally reached 10k page views which is soooo awesome with a capital A. All I can say is thank you, thank you, and thank yeeeeewwwww!!! to all of you my readers and visitors. I lurve you gurls so damn much-o! Woohoo! *throwing roses* and Two → I finally had watched Sayonara Itsuka, everybody say whatttt!?! Well, I know most of you probably think that what the eff should I emphasizing this no biggie matter, but when it comes to Nishijima Hidetoshi‘s landmark career projects, Sayonara Itsuka is a must watch among his filmography. And actually, there are at least three Nishi productions that are a obligatory to be watched by a fan such as moi, like Double Face (√check), for that tanpatsu was his major acting break, MOZU (√check), for that series was his major commercial success. But before those two even exist, Sayonara Itsuka was the project that putting his name on the map, and it is too because of couple other reasons such as: it was based on a romantic novel with the same title by Hitonari Tsuji, and it’s co-starred with the author’s (ex)wife, Nakayama Miho, who made her comeback acting after 12 years, while the director is John H.Lee, who was famed for his sappy makjang JDorama adaptation-KMovie, 내 머리 속의 지우개 (Eraser in My Head/A Moment to Remember), which fyi, I had watched as well. Heheh… But as for me, what’s driving me mainly to wanna watch Sayonara Itsuka were ain’t that high profile backgrounds, for I come to hear the soundtrack album first and the theme song by Nakashima Mika, and I loveeeee all of it a lot, I can almost assure myself that this movie will be my favorite of my favorite. If we can put it in Savage Garden way, it’s like I knew I love you before I met you kinda shit, y’know what I mean. Lulz…And after that fully established factors and heart-tugging soundtracks, one can say that Sayonara Itsuka is definitely a one helluva dramatic romantic movie that will squish your kokoro pulps away into buckets of tears right?! Well, the answer is… NO. And you don’t know how freaking effing disappointed I am right now at this movie for the only reason that I shed my salty tears is because I had wasted away the 2.5 hours of my life that I could never get back. Ugh… SHIIIITTT!!! Mai Pen Raiiiiiii!!! *clenching fist*
(Spoilert: Until the last buh-bye…) click for more melo-rant!